Archive for February, 2017

Russian fairy tales brought to life…

These photographs are inspired by fairy tales — we think these photographs could inspire new tales too…

 

 

The artist describes her work, below.

 

From Bored Panda,

 

I Bring Russian Fairy Tales To Life

By Margarita Kareva

 

“My name is Margarita Kareva, I’m a photographer from the Ekaterinburg (Russia). I started taking pictures about 5 years ago, had not even suspected that it will be my profession. Since then, I often say thanks to the Universe for giving me a passion for my life. I love to read since childhood, and perhaps my love of reading has made me a dreamer and a person living in their fantasies. And I’m glad that I had a way to play out my fantasies with the camera. It is very important for every person – to have their own way of expression. My way – is to share photos from a fairy tales. Photos with unusual models, with animals, with a combination of quaint colors. Most of the photos in my portfolio is a creative photography (noncommercial) because I think it is very important to do something that you really like…”

 

For the photos, click here.

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Inside Shimizu’s beautiful, dark, surreal dolls…

“Fantasy doll maker” is probably the best job title we’ve ever heard. And these dolls really are fantastic.

 

‘Forbidden Fruit,’ by doll artist Mari Shimizu.

 

From Dangerous Minds,

Surreal dolls reveal the dark fantasy worlds that live under their ‘skin’

 

“Fantasy doll maker Mari Shimizu hails from Amakusa, Kumamoto Japan where after graduating from Tama Art University, she dedicated herself to creating and photographing her intricate ball-joint dolls. Shimizu is deeply inspired by the Surrealist movement, especially Nazi-hating Dadaist, photographer Hans Bellmer whose scandalous work often incorporated dolls. Here are a few words from Bellmer on his artistic approach that appear to directly align to Shimizu’s ethos:

 

The body resembles a sentence that seems to invite us to dismantle it into its component letters, so that its true meaning may be revealed ever anew through an endless stream of anagrams.
Shimizu carves openings in her dead-eyed dolls in order to provide the viewer insight into the inner-workings of her inanimate creations. Themes that run through her work include mythology, religion, death and nature in which rabbits are common themes. Rabbits are symbolic for a myriad of reasons and perhaps as it pertains to Shimizu’s work is how the rabbit is regarded as an “Earth” symbol—as it is the earthly aspect of its existence that allows the animal to retain its composure in the midst of chaos. Rabbits are also categorized as being “tricksters” in various mythological tales and folklore from around the world including Japan. Shimizu’s utilization of the dolls as unconventional artistic vehicles is about as tricky as it gets…”

 

For the rest (many photos!), click here. Note: Some of the images of Shimizu’s ethereal dolls are NSFW….

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The ‘lunatic box’ and other bizarre artifacts from mental asylum history

This isn’t the most cheerful post we’ve ever done, we know. But imagine having lived in one of these places your whole life. If walls could talk…The Glore Psychiatric Museum is the closest thing to a voice those walls will ever have….

 

A mannequin peering out of a ‘Lunatic Box’ on display at the Glore Psychiatric Museum in Saint Joseph, Missouri.

 

From Dangerous Minds,

 

Take a chilling look inside the Glore Psychiatric Museum

 

“In 1874 the state of Missouri opened the “State Hospital for the Insane #2” more commonly referred to as the “Lunatic Asylum #2.” The asylum prided itself as the kind of institution that took on the “noble work” of “reviving hope in the human heart and dispelling the portentous clouds that penetrate the intellects of minds diseased.” While this claim does sound noble, the methods that were used to “penetrate” the minds of the patients who found themselves in one of the institution’s 25 beds were often medieval at best. At their worst the treatments administered by the staff were variations of what would be considered torture and were often experimental in nature—usually causing more harm than good.

 

The asylum would fill all of its available beds. In 1899 the institution changed its name to the far more friendly sounding St. Joseph State Hospital. Five decades later over 3,000 patients had passed through the hospital including dangerous criminals who had long taken leave of their mental faculties. These criminally insane people walked the halls alongside of residents who were struggling with depression. The hospital would continue to operate for 127 years. In 1967 a long-time employee of the Missouri Department of Mental Health, George Glore opened a museum in one of St. Joseph’s many wards. Glore’s on-site museum housed various mental health related artifacts that had been used over the centuries to treat patients with mental health problems, such as the horrific sounding “Lunatic Box” which was routinely used to treat patients that could not be easily controlled and were prone to act out, perhaps violently. The box, which strongly resembled a fucking coffin of all things, would house the patient in complete darkness in a standing position for hours. Patients were not even allowed to leave the box to go to the bathroom, leaving them to do their business in the box until a member of the staff felt that they had reached the appropriate level of zen.

 

In 1997 what is now known as the Glore Psychiatric Museum moved to a large, three-story building in order to provide enough room for its vast array of oddities…”

 

Click here to see many images from exhibits on display at the Glore including some haunting artwork done by patients who resided at St. Joseph’s during its century-plus existence.

 

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