M.J. Rose

Is there life after death for our brains? The evidence says it depends.

From discovermagazine.com,

Brain Activity At The Moment of Death
By Neuroskeptic

What happens in the brain when we die?

Canadian researchers Loretta Norton and colleagues of the University of Western Ontario examine this grave question in a new paper: Electroencephalographic Recordings During Withdrawal of Life-Sustaining Therapy Until 30 Minutes After Declaration of Death.

Norton et al. examined frontal EEG recordings from four critically ill patients at the point where their life support was withdrawn.

What they found were post-mortem delta waves that the authors say are very hard to explain:

It is difficult to posit a physiological basis for this EEG activity given that it occurs after a prolonged loss of circulation. These waveform bursts could, therefore, be artefactual in nature, although an artefactual source could not be identified.

Another interesting finding was that the actual moment at which the heart stopped was not associated with any abrupt change in the EEG. The authors found no evidence of the large “delta blip” (the so-called “death wave“), an electrical phenomena which has been observed in rats following decapitation.

 

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Don’t we all need a “fixer” time and again? 😉

From Atlas Obscura,

The Fixers Who Buried Old Hollywood’s Biggest Scandals
When stars needed something to be swept under the rug, they summoned these guys.

by Kristin Hunt

Loretta Young and Spencer Tracy, both “fixer” charges of Eddie Mannix, for entirely different reasons. Columbia Pictures, 1933 publicity still/Public Domain

“Howard Strickling’s phone was always ringing. First it might be Jean Harlow, panicking that William Powell had gotten her pregnant. Then it might be a security guard, informing him that he’d removed a belligerent Spencer Tracy from yet another bar. Once it was Marlene Dietrich, distraught after discovering John Gilbert’s dead body.

As the head of publicity for MGM, Strickling “handled” all these potentially scandalous affairs for the studio’s stars. From the 1930s through the 1960s, he worked with MGM general manager Eddie Mannix to maintain the carefully curated images MGM had built for each of its movie stars. That meant keeping damaging stories out of the press—or, if it was too late, making those stories disappear.

Mannix and Strickling were an unlikely team. Mannix, a thug who hung out with mobsters, first caught the eye of film-executive brothers Nick and Joseph Schenck while working construction at their amusement park in Fort Lee, New Jersey. (Josh Brolin plays a loose version of him in Hail, Caesar!) Strickling was a “dapper former journalist” who transitioned over to MGM publicity in 1919. But together, they quashed almost every type of tabloid item imaginable, as detailed in The Fixers by E.J. Fleming….”

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