M.J. Rose

The Devil’s Bible — a manuscript so large it takes two people to lift it.

Legend says that an imprisoned monk produced the manuscript in just one night — with the devil’s assistance of course…

Codex Gigas (the Devil’s Bible) – the largest manuscript in the world (Ancient Origins)

“Codex Gigas (the Devil’s Bible) – the largest manuscript in the world
Codex Gigas, otherwise known as ‘the Devil’s Bible’ is the largest and probably one of the strangest manuscripts in the world.  It is so large that it is said to have taken more than 160 animal skins to make it and takes at least two people to lift it.  It measures approximately 1 metre in length.

According to legend, the medieval manuscript was made out of a pact with the ‘devil’, which is why it is sometimes referred to as the Devil’s Bible. It was written in Latin during the 13th century AD, and although the origin of the manuscript is unknown, a note in the manuscript states that it was pawned in the monastery at Sedlec in 1295.

The story behind the making of Codex Gigas (“the giant codex”) is that it was the work of one monk who was sentenced to death by being walled up alive. Indeed, an analysis on the text does suggest that it was written by just one scribe due to the level of uniformity throughout.  The legend says that the monk produced the manuscript in just one night… with the devil’s help. However, it is not known where this legend started and it is suspected that it was religiously propagated.

Stories and legends say that the Codex Gigas brought disaster or illness on whoever possessed it…”

Read the rest here.

Meditations on the color black…

Robert Fludd’s black square representing the nothingness that was prior to the universe, from his Utriusque Cosmi (1617) – Source: Wellcome Library.

Black on Black

(The Public Domain Review)

“Should we consider black a colour, the absence of colour or a suspension of vision produced by a deprivation of light? Beginning with Robert Fludd’s attempt to picture nothingness, Eugene Thacker reflects* on some of the ways in which blackness has been used and thought about through the history of art and philosophical thought.

Some time ago I was doing research for a seminar I planned to offer on “media and magic”. I was interested in the concept of magic as it existed in the Renaissance, and in particular with the so-called occult philosophy of thinkers like Marsilio Ficino, Giordano Bruno, Heinrich Cornelius Agrippa and Robert Fludd. It was while reading about Fludd that I discovered a startling image. It was from his major work, an ambitious, multi-volume, syncretic theory-of-everything with the cumbersome title The Metaphysical, Physical, and Technical History of the Two Worlds, the Major as well as the Minor. Fludd published his work between 1617 and 1621, and each volume is generously supplied with diagrams, tables and images. The image that jumped out at me is quite simple. In a section discussing the origin of the universe, Fludd was compelled to speculate on what existed prior to the universe, which he describes as an empty nothingness, a sort of “pre-universe” or “un-universe”. He chose to represent this with a simple black square…”

For the rest click here to visit The Public Domain Review.

Stewart Brand: The dawn of de-extinction. Are you ready?

“Throughout humankind’s history, we’ve driven species after species extinct: the passenger pigeon, the Eastern mountain lion, the dodo…But now, says Stewart Brand, we have the technology (and the biology) to bring back species that humanity wiped out. So — should we?”