M.J. Rose

Listen up witches, here’s the scoop on henbane, “the insane seed that breedeth madness”…

From The Vintage News,

Henbane: Egyptians smoked it, witches used it for “flying ointment,” and it poisoned Hamlet’s father

by Magda Origjanska

“The dose makes the poison, the ancient pharmacists once said. Even the most poisonous fauna that Mother Nature produces can be beneficial if used judiciously. The word poison may evoke thoughts of sudden, painful death, but for centuries herbalists and healers exploited the power of natural toxins and venoms as medicine.

Moreover, it is no secret that some “notorious” substances played a hallucinogenic and psychotropic role too. Most of us are quite familiar with the fact that Coca-Cola’s older variants (1886-1929) contained cocaine in varying amounts. At the time cocaine was considered a legal medicine, and it wasn’t the first drinkable product that used the coca plant in its formula.

Among the numerous plants of this kind was henbane, which during the Middle Ages was widely known as “the insane seed that breedeth madness,” although today it is recognized for its contribution to the development of modern medical painkillers…”

Click here for the rest.

Each one of these wonderments defies belief. And as far as the first one on the list goes, not only are the black boxes of the Serapeum amazingly advanced looking, but how on earth did they get them in there? 70 tons along with a lid of 30 tons!

From Megalithic Marvels,

12 Photographs Mainstream Archaeology Does Not Want You to See

“Conventional archaeology propagates the notion that the further we look back into history, the more archaic the civilizations we see and the more inferior their methods of construction. Yet all over the world are ancient anomalies and megalithic marvels constructed with a lost high technology that confound today’s experts, defy our greatest modern engineering and tell us a different version of history.

1. The Black Boxes of the Serapeum

Located in the area known as Saqqara, the Serapeum is one of the most enigmatic ancient sites in all of Egypt. Lost under the sands of time, this labyrinth was discovered in 1850 which hides 25 granite black boxes crafted with laser like precision. Each box weighs approximately 70 tons along with a lid of 30 tons cut from the same piece of stone. Each box was found empty and thus their purpose remains a mystery. It is estimated that these 100 ton stone boxes would need at least 2000 men to transport them. However, with the tunnels being only 2 feet wider than the boxes themselves, there would not have been nearly enough space inside for such a vast army to lower and transport these boxes to their resting places. 1 The Egyptians would have had to use torches to see inside the pitch black tunnels, yet there is no evidence of smoke markings from flame light on the low tunnel ceilings. The stone was quarried in Aswan about 1000 kilometers away. The official statement from Egyptologists is that these boxes were made during the late dynastic period as burial places for sacred bulls, but it would have been impossible for the dynastic Egyptians to do so with softer bronze tools. The very crude hieroglyphic carvings on the outside of 3 of the boxes were most likely made thousands of years later by the Egyptians who found them in SITU (Notice how advanced the much older box appears compared with its enclosure)…”

For the other 11, click here.

If only we could have seen this!

From The Guardian,

An illustration of ‘the Sepulchral Chamber’ at Sir John Soane’s house, viewed from the head of the sarcophagus, 8 September 1825. Photograph: 1996-98 AccuSoft Inc./Soane Museum

Sir John Soane’s museum recreates architect’s vision of pharaoh’s tomb

by Maev Kennedy

“When the architect Sir John Soane finally managed to install his greatest treasure in his extraordinary combined home, studio and museum in London, he threw a three-day party to celebrate.

The sarcophagus of the pharaoh Seti I, carved from a single vast block of translucent alabaster, cost Soane £2,000 after the British Museum turned it down as too expensive. Getting in the 3,000-year-old relic, the size of a small boat and weighing several tonnes, involved knocking down a sizeable chunk of his back wall, and demolishing his unfortunate housekeeper’s sitting room.

Over three days and nights, almost 900 people trooped through his rooms and into the basement renamed “the Sepulchral Chamber”, where the sarcophagus glowed eerily, lit by candles placed inside. The museum recently recreated the experiment, and deputy director Helen Dorey recalled the extraordinary effect when the whole block lit up like a lantern, and the thousands of tiny human figure hieroglyphics carved into every inch of stone seemed to flicker and move. “It was a truly shiver down the spine moment,” she said…”

For the rest, and some great pictures, click here.