M.J. Rose

Petra is a place that lures the imagination – we cannot help but travel there in our fantasies…

A new statistical analysis published in the Nexus Network Journal reveals something new about these glorious structures…

Ancient City of Petra Built to Align With the Sun

The Nabatean culture erected the city to highlight solstices, equinoxes.

by Christine Dell’Amore (National Geographic)

“An ancient civilization built the famous, stone-hewn city of Petra so that the sun would illuminate their sacred places like celestial spotlights, a new study says.

Petra, a giant metropolis of tombs, monuments, and other elaborate religious structures carved into stone cliffs, was the capital of the Nabatean kingdom, a little-understood Middle Eastern culture that ruled much of modern-day Jordan from the third century B.C. until the first century A.D.

These wealthy spice traders worshiped the sun, among other deities, and may have given importance to the equinoxes, solstices, and other astronomical events that are determined by how the sun moves across the sky. (Also see: “‘Lost City’ of Petra Still Has Secrets to Reveal.”)…”

For the rest, click here to go to National Geographic.

Welcome to the digital age – where people are tossing their book collections in the garbage, keeping their precious family photos on hard drives, and storing all of their music in the “cloud”. We are presently dooming ourselves to a ‘digital dark age’ of such immense and tragic proportions that the burning of the Library at Alexandria is a trifle in comparison. Perhaps you’ve noticed that the floppy disks you used just a few years ago are no longer usable? All of those files, lost. Digital media itself may endure the years, but the players with which you access that media changes with the wind…

Are you panicking yet?

Perhaps we need to take on the “Renaissance preoccupation” with lost intellectual treasures?

Engraving from the Dell’Historia Naturale (1599) showing Naples apothecary Ferrante Imperato’s cabinet of curiosities, the first pictorial representation of such a collection

LOST LIBRARIES

…”In the latter half of the 17th century the English polymath Thomas Browne wrote Musaeum Clausum, an imagined inventory of ‘remarkable books, antiquities, pictures and rarities of several kinds, scarce or never seen by any man now living’. Claire Preston explores Browne’s extraordinary catalogue amid the wider context of a Renaissance preoccupation with lost intellectual treasures…”

See more here at the Public Domain Review.

You probably noticed as a child that the Nursery Rhymes we all grew up with seemed to have an air of the macabre about them. This concise read on the dark origins of nursery rhymes will solidify this hunch for you…

The Dark Origins of 11 Classic Nursery Rhymes

by Jennifer M Wood

“In the canon of great horror writing, Stephen King, Edgar Allan Poe, H.P. Lovecraft, Bram Stoker, and Mary Shelley tend to dominate the craft. But Mother Goose isn’t too far behind. Yes, that fictional grande dame of kiddie poems has got a bit of a dark streak, as evidenced by the unexpectedly sinister theories surrounding the origins of these 11 well-known nursery rhymes.

1. BAA, BAA, BLACK SHEEP (1731)

Though most scholars agree that “Baa, Baa, Black Sheep” is about the Great Custom, a tax on wool that was introduced in 1275, its use of the color black and the word “master” led some to wonder whether there was a racial message at its center. Its political correctness was called into question yet again in the latter part of the 20th century, with some schools banning it from being repeated in classrooms, and others simply switching out the word “black” for something deemed less offensive. In 2011, news.com.au reported on the proliferation of “Baa, Baa Rainbow Sheep” as an alternative.

2. GOOSEY GOOSEY GANDER (1784)

It’s hard to imagine that any rhyme with the phrase “goosey goosey” in its title could be described as anything but feelgood. But it’s actually a tale of religious persecution, during the days when Catholic priests would hide themselves in order to say their Latin-based prayers, a major no-no at the time—not even in the privacy of one’s own home. In the original version, the narrator comes upon an old man “who wouldn’t say his prayers. So I took him by his left leg. And threw him down the stairs.” Ouch!…

Click here for more.