M.J. Rose

Creepy or beautiful? Projected “makeup” may or may not translate into actual beauty techniques of the future, but this is a compelling example of the body as a canvas…

(From Gizmodo)

“Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. His latest canvas? A real, live human face.

Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model’s face into mesmerizing patterns. Slash Gear calls it “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do…”

OMOTE / REAL-TIME FACE TRACKING & PROJECTION MAPPING.

OMOTE / REAL-TIME FACE TRACKING & PROJECTION MAPPING. from something wonderful on Vimeo.

We don’t know about you, but we’re thinking that any book that claims to “to paint in earth’s dull colours the forms clothed in the living light of other worlds,” and that deals specifically with Victorian occultism and the mysterious phenomenon of synesthesia, is worth a look-see…

…and so, behold –

Victorian Occultism and the Art of Synesthesia

“Grounded in the theory that ideas, emotions, and even events, can manifest as visible auras, Annie Besant and Charles Leadbeater’s Thought-Forms (1901) is an odd and intriguing work. Benjamin Breen explores these “synesthetic” abstractions and asks to what extent they, and the Victorian mysticism of which they were born, influenced the Modernist movement that flourished in the following decades.

Thought Forms The music of Mendelssohn.“The music of Mendelssohn” – Source.

“I have always considered myself a voice of what I believe to be a greater renaissance — the revolt of the soul against the intellect — now beginning in the world,” wrote William Butler Yeats to his mentor, the Irish nationalist John O’Leary, in 1892. Yeats believed that magic was central not only to his art, but to a dawning epoch when spirituality and technology would march together toward an uncertain future.

Thought-Forms, a strange, beguiling, frequently pretentious, utterly original book first published in 1901, emerged from this ferment of late-Victorian mysticism. It was written by Annie Besant and Charles Leadbeater, erstwhile members of the London Theosophical Society alongside Yeats, and it features a stunning sequence of images that illustrate the book’s central argument: emotions, sounds, ideas and events manifest as visual auras.

The book’s grand ambitions are evident from the first page. “To paint in earth’s dull colours the forms clothed in the living light of other worlds,” Besant laments, “is a hard and thankless task.” She insists that the images in the book “are not imaginary forms, prepared as some dreamer thinks that they ought to appear.” Rather, “they are representations of forms actually observed as thrown off by ordinary men and women.”

– See the rest, here, courtesy of one of our favorite sites: The Public Domain Review.

Where can one eat a lavish underground dinner in a restaurant illuminated by giant salt-crystal chandeliers, and then visit with the seven dwarves near an underground lake, and then stop over in several chapels and a cathedral if you fancy?

Why, the Wieliczka Salt Mine in Poland of course…

(From Atlas Obscura)

“The Wieliczka Salt Mine in Poland is the epitome of technological human progress. The beginnings of the current mine are believed to have been primitively excavated after the discovery of a rock salt deposit in ancient times. In the middle ages, salt became recognized as one of the most important staples in the food and preservation industry, leading to the advancement of salt mining technology and further excavation. During the Renaissance, the mine was one of the largest business ventures in Europe. It was around this time that royal tourists started to flock to the mine, lured there in part by the developing Renaissance taste for humanism and culture…”

For the photo album and more, click here.