M.J. Rose

There is something incredibly thought-provoking about this work…

“By using relatable items, Dyck explores the relationship between the natural world and humanity; the shared dependency we have with different species that as humans we’re essentially at the mercy of.”

From The Creator’s Project,

Artist Fixes Damaged Objects By Placing Them in Beehives
by Anna Marks

“These honeycomb encrusted sculptures look like they’re 3D printed or shaped by a sculptor’s hands but all have been built by nature’s most efficient designers: bees. Canadian artist Aganetha Dyck is the woman behind these wax-covered objects with over 20 years experience working with beekeepers, scientists, and hundreds of bee collaborators.

Dyck’s work reflects the evolution of design today, where due to advancements in technology we can manipulate nature as an effective tool to produce elaborate artwork. Dyck has an inherent interest in collectibles and memorabilia and her personal work mirrors this fascination. Her honeycomb covered collection exhibits a range of items including Edwardian figurines, helmets, shoes and sports equipment that look as though they ought to be sitting within an old curiosity shop.

Dyck tells The Creators Project, “Throughout my life I’ve had an interest in figurines and collectibles. I wondered about dust and dusting of figurines and of the glass cabinets containing these untouchable treasures. These collectibles were beyond my reach as a child and adult alike.” But Dyck’s object choices are also political. “Choosing sports equipment is a reaction to the press discussing the importance of sports and their related public funding vs artists and cultural workers and their public funding.” By using relatable items, Dyck explores the relationship between the natural world and humanity; the shared dependency we have with different species that as humans we’re essentially at the mercy of. Her sculptures are visual representations of this dependent communication…”

Click here for the amazing photos.